男孩這部倫敦奧林匹克的短片，裡面完全沒有一句對白但配樂與角色發揮的淋漓盡致，雖然步調有點慢，但影片到最後還是非常的熱血感人，FGGT推薦給大家看一看!!

BOY by Prasanna Puwanarajah. The winner of British Airways ”Great Britons” competition, the film tells the story of a carpenter at the Olympic Velodrome track and his cyclist son. Starring Timothy Spall, this was part of BA’s search for outstanding Brits in three fields; Art, Film and Food, judged by Tracey Emin, Richard E. Grant and Heston Blumenthal. Not one to cheer you up in the run up to the Olympics, well worth a watch nonetheless. Directed by Justin Chadwick, a short with no dialogue, Judge Richard E Grant comments “the beauty about BOY is that millions of people from all over the world will understand it, because there are no barriers with silent films.”

VIA

老紳士! 帥死了~~~

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Kraftwerk – Retrospective 1 2 3 4 5 6 7 8

FGGT 超想去紐約 MOMA看這個展的，網路的票價已經全部售完!!

但其實FGGT真正想要的是這個BOX SET，超COOL 超結構的!!!

紐約現代藝術博物館介紹了Kraftwerk的“聲音和視覺實驗的時間探索與現場演示了他們在博物館的馬龍庭完整的劇目。每個晚上1實時性能和KRAFTWERK的工作室專輯的高速公路（1974），電台的活動（1975），跨，歐洲快遞（1977），人機（1978），計算機世界的3-D可視化（ TECHNO POP（1986），混合（1991），和環法自行車賽（2003）1981），整段表言將收錄在The Catalogue (CD)裡。 The Catalogue (CD)展示全球聲音和圖像文化Kraftwerk的歷史貢獻和當代的影響。

MoMA presents a chronological exploration of the sonic and visual experiments of Kraftwerk with a live presentation of their complete repertoire in the Museum's Marron Atrium. Each evening consists of a live performance and 3-D visualization of one of Kraftwerk's studio albums—Autobahn (1974), Radio-Activity (1975), Trans-Europe Express (1977), The Man-Machine (1978), Computer World (1981), Techno Pop (1986), The Mix (1991), and Tour de France (2003)—in the order of their release. Kraftwerk will follow each evening’s album performance with additional compositions from their catalog, all adapted specifically for this exhibition. This reinterpretation showcases Kraftwerk’s historical contributions to and contemporary influence on global sound and image culture.

VIA MOMA

給FGGT ETTA>> 單手抱狗騎車超時尚的，趕快練~